Even its sequels are beautiful, funny, and smart. In the more than 20 years since its release, it stands as a pop culture monument to cinema-and music, considering the inclusion of a reworked unreleased Elvis tune nearly thirty years after his death-but it’s not the only clever, tense, unpredictable heist film since the new millennium. The charm, comedy, and energy Soderbergh brought to the genre with his style and the ensemble cast of Ocean’ s Elevenbowled over audiences across the world. A big shootout can be as effective as an unarmed robbery as long as the execution-by the artists, not the criminals-is comprised of those elements. But it’s not all philosophy, a good heist film is tense, dramatic, unpredictable, and smart. Many of these movies operate as a metaphorical critique of the current state of the capitalist system cutting away at the American working-class. Modern heist movies have done away with the cigar-chomping, Tommy gun-wielding greedy gangsters of old and replaced them with complex, calculated characters whose morality is more opaque than their motivations.

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